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Dmon Series

A COMPLETE MONITORING SECTION WITH TRINNOV OPTIMIZATION

TAKE CONTROL OF YOUR LISTENING ENVIRONMENT_

D-MON | 4

Stereo Mixing or Mastering studios

D-MON | 6

5.1 rooms for Post-Production

D-MON | 8

7.1 / surround sound mixing suites

D-MON | 12

3D mixing rooms (7.1.4)

FULLY FLEXIBLE SOFTWARE INTEGRATION_

The D-MON will fit exactly into your studio configuration. Whatever your speaker sets may be, whether your mixes are in stereo, 5.1, 7.1 or even 7.1.4 and all their possible combinations.

The most important thing is that my Trinnov saves me a lot of time, by letting me listen at a much lower volume it preserves my ears and lowers my ear fatigue, I now find myself getting more work done over shorter working days: truly a life saver.

Steve Kaplan, (Score mixer)
(God of War, Star Wars: Battlefront II, The Walking Dead…)

ENHANCED SUMMING & ROUTING_

No session is like another and sound engineers always have to make the special routing of the day when it comes to recording or mixing a program. Convert an analog feed, plug the producer’s smartphone who wants to get you to listen to his latest hit or insert that special valve ‘RevCompEq’ mandatory for the singer’s headphones.just ready to set your routing up.

ADAPT TO YOUR DAILY WORKFLOW_

No session is like any other one, so you’ll be setting the D-MON Processor to carry exactly what you need. Just declare whether your Main Mix is made out of a stereo or a surround feed and choose which inputs make your Alternate 1 and 2 which can also be in various formats.

READY FOR AUDIO OVER IP_

Add both an AoIP source and destination to existing D-MON machines, in a Ravenna/AES67/SMPTE 2110-30 compatible mode. It uses the common network machine port.

This option requires a clock master device elsewhere on the network and will be available in Q4 2018.

A unique combination of professional featureS_

• Both Analog and Digital professional inputs and outputs, providing the most pristine sound quality over a modular set of I/O.
• Integrates easily through standard protocols into the most complex audio ecosystems from midi and GPIO to Avid and EUCON protocols, the free D-MON app (macOS).
• A zero latency Switching Matrix to route all signals easily and make any patch set in seconds.
• An Internal Mixer which can create various sums of stems, mains or aux mixes, from discrete inputs to any talkback/listen back feed.
• Trinnov’s Optimizer to perfectly tune any speaker set to the actual acoustics of the control room.

Trinnov makes my life easier, It just makes it more pleasurable to work and mix, and I don’t have to worry that much anymore about how things will translate because I know it’s going to! You get less recalls for sure and a lot more of my mixes get approved at first listen, I also don’t find myself checking them on other speaker sets or in my car anymore because I am way more confident. We got so so much good feedback on how that room sounds now!

Henning Svoren (Ocean Sound Recordings)

SPECIFICATIONS

IN & OUT FOR NOW AND THE FUTURE
  • Up to 16 Digital IOs (AES), to provide for the most complex sound mixes but also multiple aux sends, sub-groups or even stems.
  • A switchable 8-channel Digital Insert to hook up an external processing and make instant A/B comparisons or the mastering final cut
  • Up to 8 Analog Inputs able to be assigned as a Cue, the Talk-back or just used as external sources to be converted to digital for whatever reason
  • From 12 to 16 Analog Outputs offer all possibilities to address multiple sets of loudspeakers, headphones and outboard gears, all at the same time
THE MULTI-PURPOSE I/O CONNECTOR
  • Midi, Headphones out, Talk-Back in all wired  for the Eucon Protocol®, allowing to replace an X-Mon® in a completely seamless way
  • Time-Code is available as an LTC input when you’re running the SmartMeter® to make a Loudness metering session never more effective than ever
  • GPIOs are located there too, so linking to other equipment for synchronizing switches, lights or a simple pedal is immediate and easy
Dmon_back-b
TRINNOV PROCESSING
  • Several layers of 31 bands Graphic EQ, FIR EQ, gains, polarity and delays available for every channel
  • Total delay given in meters/milliseconds/frames for the listening point and adjustable global delay for accurate Lip Sync; Front / Surround / Top balance
REMOTE & LOCAL PARAMETERS
  • Source Selection : 4 Cues/TB/LB, 6 Cues/TB/LB, 8 Cues/TB/LB, 8 Cues/TB/LB
  • Monitor Selection : upon programmable presets & profiles
  • Switching Matrix : any physical input, mix bus or Optimizer® output to any physical output
  • Summing Matrix : (Mono/ST) 12 in / 8 bus, 12 in / 12 bus, 18 in / 16 bus, 18 in / 16 bus
AUDIO SPECIFICATIONS
  • ADC Resolution / Sampling Rate: 24 Bits/96 Khz
  • DAC Resolution / Sampling Rate: 24 Bits/96Khz
  • A/D Signal-To-Noise Ratio: 119 Db (A-Weighted)
  • D/A Signal-To-Noise Ratio: 118 Db (A-Weighted)
  • Analog Input Impedance: Balanced: 20 Kohms
  • Reference Level: +18Dbu @ 0Dbfs (Balanced)
  • Clock / Jitter: (Jitter Attenuation > 50 Db Above 100Hz)
PHYSICAL CHARACTERISTICS
  • Dedicated linear power supply with a toroidal transformer on the analog audio circuit.
  • Dedicated PSU / switch-mode power supply on the digital audio circuit.
  • Power supply: 240V AC / 50-60 Hz. Option: 130V AC
  • Consumption: 90 W max.Weight: ∼14.5kg  Chassis: 2U

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